DATELINE – SEPTEMBER 1933 – NEW YORK CITY/THE SUDAN – A ship is docked in New York harbor, a ship offering one million dollars for the sight of one man: Doc Savage! Newsies loudly crow the top headline (the ghost Zeppelin over Maine is relegated to page 2). Doc, being a modest sort, strips to his skivvies in an alley and swims over instead of dealing with the crowds and the money.

After playing witness to an expiring Frenchman and pocketing his goods, Doc overhears two people talking in their cabin: Lady Nelia Sealing and a Rufus known, innovatively, as “Red.” They speak of “those left behind,” slavery, and diamonds, and their fear of two men: slim dark Hadi-Mot and rotund Brooklynite Sol Yuttal. All very cryptic for the Man of Bronze to unravel! And yet, speak of the Devils, the two men appear, chasing off Red and Lady Nelia with gunshots and with the mysterious “flapping darkness” that permanently rendered the Frenchman beyond all charcuterie courses. They ransack the staterooms and alert the crew – but not before Doc escapes, and with a mysterious package all his own!

Making the shore once again by turning his body into a surfboard in the wake of Red and Lady Nelia’s boat, Doc meets up with Renny, idling by the shore in guise of a hackman. The nearly naked Doc, unnoticed by the good people of New York, discovers some of what it’s all about: diamonds! Juicy big ones, too. Also the dead Frenchman’s marked-up Zeppelin homework.

Doc leaves Renny with instructions to pick up Lady Nelia and Red, before haring off after Hadi-Mot and Yuttal. He runs almost totally naked through the middle of the streets of New York, finding this a more pleasant means of crossing the Big Apple at near midnight than taking a cab, but he’s driven down an alley and under a manhole cover by the mysterious flapping darkness which craves Frenchman’s (an apparently also American) blood! It skitters needle-like on the manhole cover before departing at the call of its master.

Finally, Doc arrives at the eighty-sixth floor, where the other four of the Fabulous Five (or, as the chapter is titled, TROUBLE BUSTER, INC.) await. He instructs Long Tom to whip up some infra-red lenses and projectors, Monk to concoct a wide-acting nonfatal instant sedation formula, hands the stones to Johnny to determine their providence, and hands the Frenchman’s Zeppelin homework to Ham to follow up on. The man of bronze himself looks up Lady Nelia first in Who’s Who,  then in Royalty of England – the aristocratic Spirited Young Lady had disappeared while flying over the Sahara some years before.

Not actually a clone of this woman! Earhart’s disappearance was still four years in the future.

But he’s interrupted by a call from Ham, at the hotel where Lady Nelia and Red have taken up quarters…and which Hadi-Mot and Yuttal have just entered, carrying a sinister-looking wicker basket! Doc fires off for the hotel, to the disappointment of the other four, who were hoping to join in on the action. He finds the place in shambles, the two dastards departed with Lady Nelia in tow, the rooms ransacked, Red (as the least good-looking of a set of Doc Savage victims by chapter 7) dead, and Renny defenestrated to twelve stories below! Fortunately, it was an improvised dummy in Renny’s clothes, Renny himself is clinging to the next window in a bedsheet toga.

Doc calls up the others, and Johnny and Ham have news: the stones are the finest quality, the first water, but of no known provenance in the book – mystery stones from a mystery mine, and the Zeppelin mentioned in the Frenchman’s homework is none other than the disappeared Aëromunde of a decade earlier (which is definitely not the Dixmunde with the serial numbers filed off glad we had this talk). What’s more, the dead Frenchman (not dead at the time) and a man fitting the description of the dead Rufus (also not dead at the time, but notably still redheaded) in the other room were on the crew!

Yuttal gives Doc a threatening phone call as a sinister cab pulls up in the pay parking lot opposite the hotel – and no New York cabbie would willingly enter a pay lot if his life depended on it. Monk, being Monk, is all for going down and smashing heads, but Doc demures, siccing Long Tom on the job with his mystery briefcase instead. The cab easily gets away before the men even make it downstairs…but Renny is on the job, in a high-tech autogyro, tracing the black-light lantern that Long Tom attached  to Yuttal’s cab with his “supraluminal” goggles.

Zis time, ze goggles, zey DO do somezink!

And, it must be stressed, still wearing nothing but a bedsheet toga.

This book has an awful lot of strapping men nearly naked for Reasons.

Trailing Hadi-Mot and Yuttal, the Fabulous Five and Doc head north in their autogyro, expansive and expensive as no autogyro had ever been before (or since), but the two wily customers are always one step ahead of the bronze man! They confront some toughs at an airport dodgier than “Errol International” who think they’ve got one over when they sneak a bomb onto the autogyro.

It goes up like fireworks on the Fourth of July, but neither Doc nor his men were on it, controlling it, as it were, by remote, using a kind of control, devised on the spot by the wizard of the juice, Long Tom. Ham had driven back to New York to retrieve one of Doc’s super monoplanes, and surreptitiously picked up the rest of the gang. Believing themselves free of the menace of Doc Savage’s justice, the two masterminds fail to notice the huge plane trailing north behind them, even as dawn breaks and the sun rises toward noon. Doc’s plane inexplicably survives this adventure, they park it just outside the Maine ‘cup valley’ where the disappeared Zeppelin is hiding. They sneak aboard by the tried and true “inexplicably poorly guarded guyline” gag, finding it necessary to gas three guards and make them look like they got drunk and passed out on wild berries just as the ship launches.

Doc and the Five hide out in the great balloons of the stolen airship, which Dent takes great pleasure in describing the technical details of as if he were the Tom Clancy of the Depression. They poke holes in the skin at will (which is actually not as fatal to Zeppelins as most media would make you think) and are forced, forced mind you, to strip down in the rising heat as the ship approaches their destination, in the Sudan. They meet the inevitable fight with the guards in hand-to-hand combat, as the hydrogen gas is highly flammable!

At the time, merely a fun technical fact. Later, though…

Throwing a mook from the narrow catwalks and gantries they fight on tears a rent in the Zeppelin that forces them ever downward, so Hadi-Mot orders all the mooks out of the action and readies his wicker basket of flying death. The named villains all draw guns, full willing to set the Zeppelin on fire in some kind of unimaginable airship-ending inferno the likes of which had never been seen on Earth rather than face …that terrible thing! Doc, alerted by Lady Nelia’s cry, punches his way out of a flying Zeppelin just in time to see Hadi-Mot release the terror into the airship balloon. With only seconds to spare and without risking the ignition of the airship with a powder flash, Doc takes the creature out of action with one of his patented glass marbles of one-minute anaesthetic. A few more put the villains (and Lady Nelia) out of action, and Doc and his men gain the control car.

Finally, they approach their final destination, the desert fastness of Hadi-Mot, Yuttal, and their sinister allies.

Hang onto your hats, here’s where this ordinary yarn of autogyros, faked fatalities, stolen airships, inexplicable male dishabille, flying death, and blacklight chases gets weird.

In the center of the stony ring [of mountains] lay an oasis. A lost oasis! For certainly no hint of its presence would have reached a traveler in the desert.

A vast platter of green! The utter denseness of the vegetation caused the men to turn binoculars upon it. They saw such a jungle as they had seldom beheld.

Tropical trees were matted in such profusion that they seemed to grow one out of the other. Lianas and aërial creepers [sic] tied the whole into an impenetrable mat. Orchids and other rare and brilliantly colored blooms could be seen.

Luxuriant though the jungle was, and contrasting as it did with the blazing desert, the oasis, nevertheless, possessed a sinister and unwholesome air. It was like something green and hideous lying there in an infinity of furnace-hot, wind-tortured sand.

[…]

The black scavenger bird [a vulture, or as Johnny calls it, a ‘Pharaoh’s hen’] settled swiftly into the vegetation. Apparently, it grasped some titbit of food.

The vulture sought to lift into the air again. Its hideous black wings flapped madly. But it did not get off! The plant, the sickly-hued shrub upon which it had landed, seemed to have grasped the bird.

Slowly, the shrub closed its tentacle-like shoots. It enveloped the  vulture!

“Holy cow!” Renny croaked.

The entire jungle is composed entirely of carnivorous plants.

“But what do they EAT?” “WHATEVER THEY DAMN WELL PLEASE!”

Within the jungle, though, is a rocky promontory split by a deep crevasse and possessed of a naturally-occurring dirigible hangar. Presumably a naturally-occurring nuclear furnace is just down the way. The promontory also sports a ton of men with guns and a stockade filled with “wasted hulls of human beings” chained together by the neck ten to a line. My God, what kind of monsters could do such a thing to their fellow humans in this Modern age?!

I couldn’t decide what gallows humor colonialism joke to finish this off with. Write in your own punchline and leave it in the comments!

Despite a shocking improvised twist, Doc, the Five, and Lady Nelia are besieged in a rock cleft. The vampire bats (for that is what the flying death is, ordinary vampire bats…except much larger, trainable, and also venomous, unlike vampire bats) attack, as do the men in various volleys. After much chivalry and daring-do, mainly thanks to Monk’s improved anaesthetic chemical warfare, Doc slips out toward the stockade and notices the strange apparel of their guards – bottomless cages of rattan, making the guards resemble “an oversize, toast-colored canary in a cage.” It protects them from the bats, which surround the stockade “like so many guard dogs.”

Lady Nelia relates her story: Yuttal and Hadi-Mot had been in the slave and ivory trade, but were driven deep into the desert some fifteen years before (1919) by the twin forces of law and angry fathers. They discovered the jungle composed entirely of carnivorous plants, poison thorns, poisonous snakes, and vultures, and the diamonds in the vultures’ beaks. With a little seed money (donated by vultures’ beaks), they hired a gang of ruffians to storm and steal the Aëromunde, enslaving its crew to mine for diamonds. As they died of overwork, underfeeding, savage punishment, or the jaws of the green hell, they were replaced with fresh European slaves bought from Cairo. Lady Nelia herself had developed engine trouble and landed in the worst spot in the Sahara, her life and virtue only preserved by Yuttal’s insistence she’d come ‘round one of these years. Instead, she worked with the dead Frenchman (at that time not yet dead) and Red to cobble together a second balloon and escaped out to the desert an onto a steamer…but had been followed by Yuttal and Hadi-Mot and their terrible flying death, all bound for New York and the legendary Doc Savage.

In the night, Doc escapes and liberates one of the wicker cages. He disables the stolen Zeppelin and buries the parts where they won’t be found. But a stray flashlight finds him, and bullets follow. Doc is forced into the jungle in his cage. The tentacles and jaws of carnivorous plants tear at him, venomous snakes slither in with him, all falling before Doc’s flashlight and Army knife. He emerges at great distance from his hunters, none the worse for wear, and rejoins his friends. Johnny goes in search of water, and drinks of a poison pool, but Doc saves him in time. A final volley leads to a parlay, their lives for the location of the stolen engine parts – a deal everyone knows the bad guys have no intention of keeping.

Doc and the Five are separated from Lady Nelia and forced to strip…

…again…

and Doc in particular gets the third degree so that Yuttal and Hadi-Mot can be totally sure he has none of those Wonderful Toys squirrelled away in his ass or something. We are then taken to a “very modern, up-to-date operation” of diamond mining which Dent describes in excited technical detail. Along with the indignities and horrors of modern slavery. Back in the stockade for the night, Doc produces stolen diamonds to cut their iron bonds with. He douses all the cages with chloroform (secreted earlier during the night of the carnivorous plants) and frees Lady Nelia, riling the other slaves for the obligatory Uprising. The slaves all break for the Aëromunde, while Doc and his men liberate their various weapons and go after the guards. Lady Nelia even saves Doc’s life with two well-aimed rocks.

The slaves prep the Zeppelin for takeoff as Hadi-Mot releases all the vampire bats at once, the bad guys rushing for their (doctored) cages. As the airship rises out of danger with Doc at the helm, he watches the cages fall apart from the acid, the confederates doomed by their own vampire bats. Hadi-Mot and Yuttal are consumed together. They return long enough to rescue the few remaining men, kill all the vampire bats, and divvy up the diamonds – Lady Nelia insisting her share go to building hospitals for orphans in England. Then it’s off up the Cairo for Trouble Buster, Inc.

“Cairo – on the banks of the lazy River Nile!” [Long Tom] chuckled. “That sounds peaceful enough.”

AN EERIE TRILLING SOUND – Doc spends a good third of the book running around New York at night wearing nothing but a Speedo for never-clearly-defined reasons. Sadly, CBGB’s did not yet exist to be thrilled by this news. He’s in fine form here, a science detective aboard the Yankee Beauty, a cunning guile hero in New York, a grim yet nonlethal MacGuyver aboard the Aëromunde and in the Lost Oasis itself.

But today’s ultimate Doc moment is when he navigates a jungle of carnivorous plants in his skivvies inside a rattan cage with a flashlight and a knife. Just uttering that sentence caused my chest to grow a luxuriant mat of hair in the shape of Australia. That is Weasels Ripped My Flesh level pulp manliness.

FISTS OF GRISTLE – Renny here is what Johnny was to Fear Cay. He drives a hack! He interrogates the victims! He pulls a dead-dummy fast one! He flies an autogyro! He punches through doors! He even navigates the stolen Zeppelin on three separate occasions! Not bad for one Puritan-faced engineer with fists like Virginia hams.

SUPERAMALGAMATED! – For whatever reason, Dent tries to introduce a new tic for Johnny: he never wagers except on a sure thing. Monk calls him out for it, and Dent spells it out later in narration when, aboard the airship, he quips “So, anyone willing to bet this tub isn’t going to Africa?” It never stuck, so he mostly just seems to be on a winning streak at the ponies and letting it leak out.

“YOU SHYSTER CLOTHES-HORSE!” – Ham gets an awesome kill in of a sword-thrust through the shoulder, and enjoys some fine bickering with Monk because Dent hadn’t run out of bicker yet. They also share a quiet moment while besieged flipping a coin to see who gets the one remaining gas mask. Ham loses with great dignity.

“YOU MISSING LINK!” – Monk goes apeshit or expresses his desire to go apeshit about once a scene, but his introduction is dressing like Ham and making it look like a sideshow barker and his next scene is casually whipping up a chemical concoction (nonlethal long-lasting anaesthetic gas) that we still haven’t invented today. Mostly, though, Monk’s the trigger-happy heavy, almost as ready to kill Ham as he is to kill mooks.

WIZARD OF THE JUICE – Boy is Long Tom on the trolley here. He introduces Doc’s blacklight goggles and equips them for the entire gang (although he notes he’d already come up with them a few adventures ago and just needed to make sure they were in working order) and puts them to good use bugging Yuttal’s stolen hack. Later, he grouses he should have introduced blacklight search lights, but will tomorrow. Sure beats your college roommate’s Alice in Wonderland poster, huh?

WHERE DOES HE GET THOSE WONDERFUL TOYS? – And what wonderful toys they are! From dust that sparkles in the night only when disturbed to the first deployment of Long Tom’s night vision goggles (and mention of the night vision searchlights) to old standards like the one-minute anaesthetic marbles, Doc has a full range of toys to play with today. It’s quite understandable that the bad guys took a moment to strip him, wash him, remove false teeth, trim his nails, and pull out hairs in case he had any more.

CRIME COLLEGE MATRICULATES – Yuttal and Hadi-Mot are hardly memorable material. I think Dent was going for a Ham-and-Monk contrast beween streetwise Yuttal with his spat gangsterisms (like “Nix!”) and Hadi-Mot and his mannered, textbook-English, The Sheikh-esque “swarthy foreign gentleman” air, but it never quite comes off and Dent more or less abandons any character study of the two by time Doc and the gang climb onto the Zeppelin. The four wicked aviators are clever for one scene, get mentioned twice more, and then disappear. Honestly, the vampire bats are better bad guys than the bad guys.

AGED LIKE FINE MILK – With the exception of Yankee Yuttal (who is another of Dent’s fat bastards), all the bad guys are swarthy, shifty, and speak Arabic. In his Master Pulp Plot Formula, Dent gives an example of finding an “Egyptian” phrasebook and pulling phrases out of it, as “this kids editors into thinking the scribe knows something about Egypt.” This must have been the example he was thinking of, because Dent misses no opportunity to remind the reader that these are all “some kind of natives, not whites” and peppering all the dialogue with redundantly-translated Arabic. While not one of Dent’s worst offenses, it combines with the next point for a truly fine aged-milk flavor.

All the slaves at Hadi-Mot and Yuttal’s secret diamond mine in the deserts (and jungles?) of Egypt are aristocratic Europeans. Because when you think “Africa” and “hard slavery in mines,” you definitely think “aristocratic white people.”

But, seriously, take a moment to donate to Diamonds for Peace. Blood diamonds are very real, and still with us, and horrifying in their implications. And their conditions almost as terrible today as Dent imagined in 1933.

BACK MATTER – Lost Oasis was the first issue of Doc Savage Magazine to include an essay alongside the reader letters, Doc Savage’s Oath, and original (teaser) endings. Unfortunately, I have never seen this first Doc Savage essay, though I’m sure a few mildewed copies of the original 1933 publication are still floating around on eBay for $5 apiece. I linked one of the essays, last week, from the December 1933 issue, The Phantom City.

So, let’s discuss interior art! I’ve used some of it before, but this is where we can really discuss it. Paul Orban’s (and others’) interior art were stripped out of the 1960s Bantam reissues, like all of the back matter. When I can, I love to get a hold of copies of the original ‘30s editions, because I love the dynamism and energy of those original interior art pieces.

Thanks to the Eighty-Sixth Floor for preserving these treasures into the digital age.

THE VERDICT – The New York segment is nicely odd (both for the adventures in New York harbor and for taking place all in a single night, when most of the New York portions are daytime affairs as in Fear Cay), but the airship sequence is an absolute jewel of truly vintage action and adventure, a full Rocketeer service

Art credit: William Weimer

…and then we get to Egypt and everything goes absolutely batshit. A JUNGLE OF CARNIVOROUS PLANTS! FLYING VAMPIRE BATS OF DOOM! A DEATH CAMP OF CAREFULLY INTERNATIONALIZED SLAVE MINERS! A RATTAN WALKING-CAGE TO SAVE THE HERO! A WWI REENACTMENT WHERE THE GAS ATTACK IS FROM THE GOOD GUYS! If the Zeppelin sequence was a jewel of traditional pulp action, the Sudan section absolutely excels at first-water pulp weirdness. This is the stuff the men’s adventures of the 60s were so desperate to, and always failed to, recapture, the stuff that dreams are made of. Despite anti-Arab racism that would make George W. Bush blush, this is still one of my favorite Doc Savage novels for how completely unhinged it progressively becomes.


Doc Savage at 90

Introduction – The Man of Bronze

Fear Cay

The Lost Oasis

The Munitions Master

The Land of Terror

Bonus post: The Doc Savage Method of Personal Development

The Czar of Fear

Doc Savage …at 90

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